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Why Cuarón Plans Everything (And Still Feels Spontaneous)
Alfonso Cuarón operates on a paradox: the more prepared he is, the freer he becomes. For three decades, across wildly different genres — intimate family dramas, dystopian thrillers, space epics — his work is governed by a single philosophical tension. Preparation isn’t the goal. It’s the safety net that lets him fall toward the unexpected. This video breaks down that philosophy through Cuarón’s own words, drawn from interviews spanning his career. You’ll hear how Roma came to exist as a screenplay he wrote in three weeks and never read again, how Y Tu Mamá También was structured enough to allow real improvisation, and how the blood-spattered lens in Children of Men — a complete accident — became the shot that defined a generation.
The one change that worked: I swapped doomscrolling for reading comic books
Joel Harley swapped doomscrolling for reading comic books after realising the negative impact of phone use. Rediscovering his childhood love for comics improved sleep, creativity, and overall well-being. This change provided a healthier form of escapism and a sense of accomplishment, boosting their mood and outlook on life.
You’re Not Watching the Show. You’re Watching the Clips.
In this episode of “Galaxy Brain,” Charlie Warzel talks with business writer Ed Elson about the rise of the “clip economy”—the idea that short video clips pulled from podcasts, livestreams, and other long-form content have become the dominant unit of online media, not just a promotional tool. Elson explains how figures like Andrew Tate pioneered armies of paid clippers to flood social platforms with content and how the viewership numbers on clips often perform better than the original shows. Warzel and Elson discuss what this means for legacy media organizations, as well as the broader societal costs of phone-driven attention erosion.
To be human is to live with friction. That’s something AI boosters will never understand | Alexander Hurst
AI’s pursuit of frictionlessness impoverishes the human experience, collapsing the space between what we say and what we know. This pursuit, driven by Silicon Valley’s vision of a seamless world, leads to a spiritual crisis and a devaluation of human labour. The author finds optimism in the growing backlash against AI’s dominance, believing it will lead to a resurgence of humanism
Iran's meme factory is using 'the weapons of their enemy' to embarrass Trump
Iran is using AI-generated memes and videos, particularly in the style of the Lego Movie, to criticise the US and Israel in the ongoing conflict. These videos, often mocking Donald Trump, are quickly produced and widely shared, influencing public opinion and setting the narrative of Iran as the underdog. While the US also engages in propaganda, its approach is criticised for lacking coherence and trivialising the war.
‘An element of exploitation’: the world of TikTok child skincare influencers
A Guardian investigation found hundreds of TikTok videos featuring children under 13, including toddlers, showcasing skincare routines. This trend raises concerns about the beauty industry’s reach and the lack of safeguards for child influencers, as many videos resemble advertising and promote unnecessary skincare products for young skin. Dermatologists warn that children don’t need complex skincare routines and that this trend fuels anxiety about appearance.
Teacher v chatbot: my journey into the classroom in the age of AI – podcast
I was a newcomer, negotiating all of the usual classroom difficulties for the first time. Throwing AI into the mix felt like downing a coffee in the middle of a panic attack
Screenmaxxing: why Hollywood is supersizing the big screen experience
Theatrical exhibition is embracing “screenmaxxing,” offering premium large-format (PLF) auditoriums with enhanced picture and sound quality to attract moviegoers. Disney’s InfinityVision certification aims to reassure viewers of the quality of non-Imax PLF options. While HDR by Barco and other new technologies promise improved visuals, the true value lies in the perception of an upgraded experience, potentially driving audiences back to cinemas.
Desperate for social media ban to work, but parents say it’s 'impossible'
Australian parents are frustrated with the effectiveness of the social media ban for under-16s, as their children continue to access platforms like Snapchat and Instagram. The eSafety Commission is investigating potential noncompliance by social media companies and will move from monitoring to enforcement. While some parents report success with the ban, others find it difficult to enforce without adequate support.
‘Seeking connection’: the video game where players stopped shooting and started talking
In the video game Arc Raiders, set in a post-apocalyptic world, players are unexpectedly choosing to cooperate rather than engage in player-versus-player combat. This phenomenon, where players team up to fight AI enemies and even hold social events, has intrigued game developers and psychologists. The game’s design, with its emphasis on proximity chat and shared challenges, encourages cooperation and has led to unexpected player behaviour, prompting developers to adjust the game’s difficulty.
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